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    At Cannes, Sneaky Period Pieces and Film Lovers’ Delights Rule the Screen

    Movies from China, Brazil, Iran and elsewhere prove that there’s so much more to cinema than Hollywood would have us believe.
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    Ari Aster Hasn’t Seen the Reviews for ‘Eddington’

    The Covid-era satire has been divisive at Cannes, but the director has not seen the reviews. He’s focused on his fears about where the world is headed.